Challenge,  Kickstarter Campaign,  Pulphouse Fiction Magazine

Interesting Perspective…

Writers Getting Mad At Me…

Not really a surprise. I am totally used to it over the decades because people don’t like my outspoken nature especially when it grinds up against a dearly held myth of theirs.

But at the moment they are angry because they feel they should be able to submit to Pulphouse Fiction Magazine without being a subscriber first. Not kidding, but outside of a Kickstarter promotion, not even subscribers can submit to the magazine. (grin)

Right now, if you get a six issue subscription for $30 in the Kickstarter, you also get 2 different Fiction Rivers to read, plus four special Pulphouse anthologies, and backers get to submit stories in four different months.  Really good deal.

Now Pulphouse is always closed for submissions. I have no desire to read slush ever again.

But I do want to thank the writers who support the magazine with a subscription by letting them submit under closed conditions stories I might buy. I can handle one per month from each backer. And when I did this last year I bought numbers of stories that have or will appear in the magazine.

And I had a blast reading because the writers who were sending stories in knew the type of fiction I bought. Why? Because they had read some issues of the magazine, that’s why.

Yet out there writers who have never read an issue of Pulphouse and wouldn’t begin to understand the fiction I buy are complaining that they can’t send me a story without supporting the magazine.

I find that laughingly stupid and funny. I wonder how many of them who send stories to Asimov’s or Queen have ever read an issue. And yet I bet those kinds of writers get upset when their story is rejected.

As I have said many times and it applies to those writers complaining… You can lead a writer to knowledge but you can’t get them to think.

Speaking of the Pulphouse Fiction Magazine subscription drive Kickstarter, ONLY TWO DAYS LEFT!!!

YIKES…

The Pulphouse Fiction Magazine Subscription Drive 2024 Kickstarter campaign is going great.

We have hit enough stretch rewards now that all backers will get four crazy Pulphouse anthologies , two issues of Fiction River, a six issue subscription, and also a chance to submit a story in August, September, October, and November to Pulphouse.

Understand, Pulphouse Fiction Magazine is never open to submissions. But sometimes, in these subscription drives, if we get high enough, we open submissions of one per month per backer. And we are there.

So please help us pass the word. More really cool stuff to get and more months to send in stories. But we need your help.

Only TWO days left in the entire campaign. Pulphouse Fiction Magazine Subscription Drive 2024 Kickstarter.

And now, a reminder one more time on the workshops you can not get anywhere else but in this campaign…

SPECIAL WORKSHOPS!!!

We have two really fun special workshops with this campaign that Kris and I are both looking forward to teaching. Both will be great fun.

Both workshops are three weeks long, are offered only twice, and the final week’s assignment for both workshops will be to write a short story that Dean will consider for Pulphouse. (Not as submissions, just how Dean will look at the stories and tell you he is interested in seeing it sent back as a submission.)

You have your choice of taking either three-week workshop starting July 30th or starting August 20th.

“PUT JOY IN YOUR SHORT STORY WRITING” Special Workshop #1

This workshop will teach you how to have fun and enjoy writing short stories. There are a lot of techniques that can help with this and once you can bring joy and fun into your short story writing, you will write better and more. 

Even if you already enjoy writing short fiction, this class can give you more techniques and craft methods to use if you run into that “rough” story that we all do at times.

This is a craft of writing workshop. Only offered through this campaign. 

You also get a six-issue electronic subscription to Pulphouse Fiction Magazine with this reward.

“HOW TO TURN SHORT STORIES INTO NOVELS” Special Workshop #2

Many, many, many professional writers start off with a short story and then think, “That would make a great novel.” Or a reader says that to the writer. As an editor, I say that to writers all the time after reading a short story.

But how to do it? There are techniques and writing craft tricks that make it fairly simple, actually, once you know them. This class in three weeks will give you those techniques.

This is a craft of writing workshop. Only offered through this campaign.

You also get a six-issue electronic subscription to Pulphouse Fiction Magazine with this reward.

FOR A DISCOUNT

You can get both special workshops under the $250 reward level ($50 discount) or as an add-on. In these two short classes you will take your writing to another level.

You also get a six-issue electronic subscription to Pulphouse Fiction Magazine with this reward.

You have your choice of taking either three-week workshop starting July 30th or starting August 20th.

So jump into a workshop, get a six issue subscription with it, and help us hit more stretch goals. We are almost there.

TWO days left!  The Kickstarter clock is ticking in hours now.

Pulphouse Fiction Magazine Subscription Drive 2024 Kickstarter

The video for the campaign is fun and short. Might have to click twice to run it.

 

 

 

11 Comments

  • Em

    I get kind of confused when I hear about writers having problems with being over-confident. I have the opposite problem with critical voice trying convince me my stories won’t fit anywhere.

  • Bonnie

    A couple of years ago I was talking to the editor of one of the fiction magazines at a conference. I forget what started it and he said most writers want him to tell him what kind of fiction he buys. And I said, but isn’t that my job to figure out reading your magazine. He laughed and said yeah, but lots of people don’t think they should have to.

  • Peter Michael Gray

    Hi Dean, I don’t understand how they can be so self-entitled. It’s your magazine. You run it how it suits you best.

    Regards

    Peter

  • Suzan Harden

    The entitlement of people these days confounds me. This is a whole new era where you can publish your own stories any time you want. Yet, these people would rather harrass a magazine owner than take control of their own career. *smh*

  • Jason Adams

    So what you’re saying is if I subscribe, I get to read some totally out there (in the best way) stories, AND I get the chance to have stories of mine considered for an invitation-only magazine?

    Seems fair to me.

  • Steve Perry

    Back in the day, Dean and Kris shamed me into writing a story for Pulphouse. I had given up writing shorts — novels paid better, and the energy to write a short story was worth two-three chapters. I’m not that comfortable at the shorter form.

    So, fine. I wrote a story. Wild-hair thing, and I figured once they rejected it, they’d leave me alone, right?

    They bought it.

    Well, crap. So not too long after that, I wrote another wild-hair story, i.e. one I figured nobody would want.

    They bought that one, too.

    And they bought every damned one I wrote for them after that. They did it just to screw with me, I’m sure.

    • dwsmith

      Still waiting for the next one, Steve. Got a spot saved for you. Strap on that wild-hair thing and take a ride. (grin)

      • Emilia

        For some reason an attitude of “Fine, I’ll try it. It’ll get rejected and I’ll get left alone” has got me the best results in several fields. In my case it could be that I’m less stressed which allows the creativity to come out and play.

  • Mark Kuhn

    From the perspective of common sense, Dean, it’s your magazine and you should make the rules.

  • Steve Perry

    Well, I’d let my subscription lapse, so I had to go join the Kickstarter so I could submit something. Soon as I get the next book done …

    • dwsmith

      LOL, Steve. That aspect of being a subscriber to the Kickstarter does not apply to you or other long-term pros who have already sold me stories over the decades. The fun of being a closed market. You can only invite the writers you admire and like their work.

      I sold just under 80 short stories to Martin Greenberg anthologies at Techno Books back in the day. All were invite. Kris sold over a hundred there to all the crazy anthologies. I sort of consider Pulphouse the same model.

      But thanks for subscribing. (grin)